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VOXOS: Epic Virtual Choirs is a remarkable new virtual instrument containing a full epic choir, boys choir, soloists and individual choir legato sections.

Powered by the industry-leading Kontakt Player engine, VOXOS contains world-renowned choirs and soloists with experience in recording for countless Hollywood films, trailers, video games and the concert stage. Recorded at the beautiful Bastyr Chapel, with its gorgeous acoustics, the choirs were captured with multiple microphone positions in 24bit/48k 5.1 surround. The result is a pristine tone that sounds great right out of the box. VOXOS contains over 35,000 samples, at an uncompressed size of 35GB.

VOXOS is split up into three main sections:

Phrase Builder

- 30 Syllable Matrix Editor
- Intuitive, performance-oriented scripting
- Staccatos, Sustains, Shouts, Whispers
- Dynamic morphing between dynamics
- 4 Mic positions + Full Mix
- Section contains over 16,000 samples

Legato Sections

- Sopranos (Ah, Oo, p to ff)
- Altos (Ah, Oo, p to ff)
- Tenors (Ah, Oo, p to ff)
- Basses (Ah, Oo, p to ff)
- Boys Choir (Ah, Oo, p to ff)
- Solo Boy, Soprano and Alto
- Real transition samples for all intervals
- Innovative Voice Leading Engine (V.L.E.)
- 4 Mic positions + Full Mix
- Section alone contains 17,000 samples

Choir FX

- Trailer Risers
- Shouts
- Whispers
- Grunts
- Screams
- Tonal Diatonic Clusters (pp to fff)
- Atonal Clusters (pp to fff)
- 1950?s Sandman Choir (bum bum)
- Contains over 1,700 samples
- 4 Mic positions + Full Mix

Phrase Builder

The Phrase Builder is a powerful way of adding word syllables into a choir performance. VOXOS contains a 30 syllable selector matrix which allows you to quickly assemble multi-syllable phrases onto a grid. Each syllable will intelligently advance to the next syllable, based on your keyboard performance. If it's a sustain, the Phrase Builder can also connect one syllable over many notes, in a melismatic way.

Legato Sections

The Legato Sections contains true legato performances of Sopranos, Altos, Tenors, Basses, Boys Choir, Solo Boy, Solo Soprano and Solo Alto. Cinesamples has methodically recorded the tens of thousands of intervalic leaps within the ranges of each section. Their custom Legato script instantly analyses the keyboard performance and plays the appropriate interval sample. The result is an instrument that allows you to play smooth and emotional legato lines.

Built into Legato Sections is Cinesamples' innovative Voice Leading Engine (V.L.E.). The V.L.E. allows you to play a full keyboard patch of S, A, T, B choir with independently moving legato lines. The engine instantly analyses the chord structure and assigns each pitch to its own section of the choir. The result: a patch that is easy to play, with incredibly realistic results.

Choir Effects

VOXOS contains over 500+ Choir Effects suitable for film, tv and game music. There are hundreds of shouts, whispers, grunts, clusters, screams and trailer risers, perfect for any media project.

Kontakt Player 4 Minimum System Requirements:

Mac OS X X 10.5 or higher, Intel Core Duo 1.66 GHz, 1 GB RAM

Windows XP (SP2, 32bit) / Vista® (32/64 Bit), Windows 7 (32/64 Bit), Pentium® or Athlon XP 1.4 GHz, 1 GB RAM

VOXOS requires 19GB hard drive space. VOXOS uses a new lossless sample compression technology for smaller hard drive footprint and more efficient disk streaming. VOXOS is 35GB uncompressed.

Produced Exclusively For Kontakt 4

Kontakt 4 is far and wide the most powerful and popular sampler available. Truly - it is the only way we could possibly produce this product. The included Kontakt Player takes full advantage of the NCW compression - streamlining this product by saving drive space and system performance, while optimizing it for the newest generation of Solid-State D0rives.

Recorded in Seattle:

Seattle has long since become the recording center of the A-list video game/trailer soundtrack world. As it happens, the VOXOS sessions were recorded following Bungee's Halo Reach sessions and proceeding Blizzard's monumental World of Warcraft; Cataclysm. The musicians involved in this project are constantly participating in such high profile acts as these. In fact, some of our men sang on the famous Gregorian-style intro to the original Halo videogame for XBOX. Bastyr's main stage chapel offers one of the highest quality recording venues in the country. Its unique acoustic signature is akin to Symphony Hall in Boston and the retired Paramount Scoring Stage in Los Angeles. An extremely flattering hall for vocalists and instrumentalists - contributing to the familiar Hollywood style reverb bed without the tasteless metallic tinge and never ending ring-out that the majority of cathedral's give. Combine that with the highest end recording gear available and the table is set for excellence.

Children's Choir/Boy Soloist:

To really get an accurate representation of Los Angeles style soundtrack choirs, we had to include a boys children's choir and soloist. The 15-piece boys choir covers roughly the range of the Altos transposed up by a major third. Our solo boy was captured from C3 to A4. With an amazingly transforming tambre - the purest sound imaginable in his soprano and a charming inward sound in his lowest third. These children possessed amazingly mature musical discipline, excepting guidance from the booth and their choir master in the same professional manner as the other sections. This was quite an achievement considering that they were all under 12 years of age.

We were amazingly fortunate to have children who have sang on a wide variety of soundtracks themselves, they needed no explanation about wearing headphones or being still while the tape is running. They were true professionals of the scoring stage.

Hand Sculpted Scripted (true) Legato:

As one of our trusted colleagues once stated: 'There are no shortcuts when it comes to legato." Our true sectional legato covers the full ranges of the Sopranos, Altos, Tenors, Basses, Boys and Soloists. After much trial and error, we were able to formulate a recipe for recording legatos in the most musical and accurate manner possible. It may not be evident while playing the patches how many samples you are triggering back and forth but it is mind blowing when you stop and look at the audio files involved in one patch, at one microphone position. On the surface things seem simple, but much is going on under-the-hood.

During programming all 35,000 samples and transitions are meticulously tightened by hand. This process takes fresh ears and cannot be rushed or automated. The charming human inaccuracies which give live performances vibe and soul also cause issues when aligning samples during programming. We have, without exaggeration, been tweaking the legatos for over six months - still making final tweaks the moments before delivering to Native Instruments for encoding. It needs to be perfect or its not going out the shop door.

The Voice Leading Legato Engine - Live SATB representations from one midi track:

They call it voice leading for a reason. From day one, composers of all styles are taught the value and importance of proper voicings. It all begins with SATB, the notable 4 part chorale diagrams in music textbooks all over the world. It is the basis of all chorale writing, the foundation of jazz ensemble writing - the glue of all composing. It was something we had to address, and address from the point of view of a composer under the anxiety of an approaching deadline.

The included SATB Voice Leading Engine can take incoming midi data sent from a piano track and assign the proper notes to each section automatically. Resulting in properly voiced chords with full legato from one track. No settings, its all intelligently scripted and prepared. This is a monumental time saver.

Phrase Builder - Intuitive Simplicity - A Defined Approach From Day One

Way back, months before a note was recorded, the entire final product was thought out, sketched and tested. We knew what we wanted as an end result and we backed up from there - we didn't just roll the dice on the recording sessions and see what we ended up with. We knew we wanted to stay in Kontakt. We knew we wanted to avoid artificial word synthesis - aka Apple Talk or the Steven Hawkings effect. We knew we wanted to have the simplest, most powerful phrase building interface possible. We knew we wanted to enter all word data only once with just a few clicks with no external programs running. We knew we wanted the engine to keep track of the words no matter the articulation - long or short. We knew we wanted it to use the absolute minimum of MIDI CC controllers possible and be processor-friendly to our computer. We knew all of this plus more. It was just a question of finding the right way to make it happen.

Through process of elimination, we were able to create a truly monstrous phrase building engine. Streamlined for simplicity and accuracy. Created for the guys and gals who don't read instruction books or have time to learn the intricacies of a poorly produced/overly complex library. Watch our "Phrase Builder" video for all you need to know about our industry-first Matrix Phrase Builder.

Fully Scripted Dynamic Control

We tried every single method of dynamic and vowel morphing available via Kontakt including the AET simulation. After double blind listening tests with some of our most trusted audio gurus the decision was unanimous. This method doesn't use simple envelopes for simulated fading but rather uses powerful scripting to guarantee a 100% accurate and smooth dynamic morph. Just another time consuming detail that we had to have perfect.

Useable Cinematic Effects

As composers, we own tons of soundtrack recordings and we keep up to date with new trends in the soundtrack world. We wanted FX that would integrate and cooperate with other tracks in your template, not dated, crazy, unusable stuff that is only good for that rarely requested track. Aside from our assortment of grunts, shouts, whispers, layers and risers we also went in a tonal direction - recording beautifully layered divisi clusters and female "bum-bums."

5.1 Ready - Full Mix Option - 4 Mic Positions

VOXOS was recorded in cinematic 5.1 in 4 microphone positions. To save polyphony, take advantage of the pre-mixed Full Mix position, a standard mixture of the spot, tree and ambient mics bounced down to one track. If you prefer to make your own mix you have unprecedented control over 4 microphone positions including the surrounds, which can be placed in the rear speakers on a 5.1 setup. This is in answer to a request for our top tier of users which we are happy to provide.

File Details:

VOXOS is split up into three main sections:

Phrase Builder

- 30 Syllable Matrix Editor
- Intuitive, performance-oriented scripting
- Staccatos, Sustains, all MOD XFADE
- Dynamic morphing between dynamics
- 4 Mic positions + Full Mix
- Section contains over 16,000 samples

Legato Sections

- Sopranos
- Altos
- Tenors
- Basses
- Boys Choir
- Solo Boy, Soprano and Alto
- Real transition samples for all intervals
- Each contain 2 vowels at 2 dynamics each
- 4 Mic positions + Full Mix
- Section alone contains 17,000 samples

Choir FX

- Trailer Risers
- Shouts
- Whispers
- Grunts
- Screams
- Tonal Diatonic Clusters
- Atonal Clusters
- 1950?s Sandman Choir (bum bum)
- Contains over 1,700 samples
- 4 Mic positions + Full Mix

Kontakt Player 4 Minimum System Requirements:

Mac OS X X 10.5 or higher, Intel Core Duo 1.66 GHz, 1 GB RAM

Windows XP (SP2, 32bit) / Vista® (32/64 Bit), Windows 7 (32/64 Bit), Pentium® or Athlon XP 1.4 GHz, 1 GB RAM

VOXOS requires 19GB HD

Q (as in, cue, or, if you prefer, as in the master spy's gadget man), contains almost two thousand patches and 16GB of sample material including cinematically thunderous drums, percussion, winds, vocals, ethnic instruments, metallic textures, glass, guitar, toy, ambient atmospheres, synth landscapes, and trailer-ready effects. The library includes both playable melodic pitched instruments and multisampled one-shot percussion and effects. A large collection of epic percussion loops which automatically sync to tempo and are playable both whole and by the slice, are also included.

The collection is divided up into twenty-three main category folders: Ambient Chordal Pads, Cymbals, Gongs, Rolls, and Effects, Drums and Percussion, Granular Orchestra, Guitars, Hong Kong Cinema, Horns and Winds, Impacts and Low Drums, Loops and Construction Kits, Metallic and Glass Melodies, Middle Eastern, Morphstruments, Multilayer Dreamscapes, Multilayer Drones, Mystery, Pedal Steel Ambiences, Pulp Surfer, Sound Effects, Stylistic Phrases, Tempo Textures, Toys and Character Keyboards, Voices, and Western.

Q's easy-to-use interface provides one-click effecting of the library, including the famed EZRoom convolution, delay, chorus, filters, chorusing, flanging, and more. Other advanced functions include a special legato mode for melodic instruments, and crossfade controls for multilayered instruments.

While everything in Q is mapped in Kontakt format ready to play from a MIDI controller, as a bonus many of Q's one-shot effects (such as booms, whooshes, metal scrapes and hits, and special sound effects) are also available on the disc in open 24-bit WAV format, allowing instant drag-and-drop into a film mix.

Q is powered by the industry-leading Kontakt engine. It is compatible with VST, AudioUnit, and RTAS (Pro Tools 7 & 8) plug-in formats allowing it to work seamlessly within any major sequencer, in addition to standalone use.

The central interface for all Q instruments is simple and straightforward, allowing instant access to all the main effects: EZRoom, filters, limiter, phaser, flanger, chorus, reverb, delay, and gainer, as well as pitch bend control:

Melodic instruments feature an additional interface that allows for the optional usage of an optimized legato mode insuring smooth and realistic transitions between notes for solo playing:

Multilayered instruments, such as drones and dreamscapes, feature another interface that features direct access to each layer's volume, pan, tuning, and envelope characteristics:

Every knob and slider in the interface can be assigned to any external MIDI CC via an easy-to-use MIDI learn function, allowing real-time external control of parameters.